expect extremely poor performance examines the collapse of self-image, exhaustion, and the pressure to perform in a culture of constant optimization, staged as a fragmented monologue between child, adult, and elder selves. The installation merges photography, video, sound, and digital performance: PVC prints on gym racks and tripods turn tools of productivity into sculptural supports, while exposed technical elements mirror the body’s fragility. Motion capture, 3D software, and AI animate my scanned face into three avatars, translating gestures into data and amplifying their emotional intensity.

2025
Fondation l'Abri, Genève